The sentimental antislavery novel Ida May appeared so like its predecessor in the genre, Uncle Tom’s Cabin, that for the month of November 1854, reviewers looked for Harriet Beecher Stowe’s hand in the narrative. Ida May explores the “possibility” of white slavery from the safety of an exciting, romantic narrative: Ida is kidnapped on her fifth birthday from her white middle-class family in Pennsylvania, stained brown, and sold into slavery in the South. Traumatic amnesia brought about by a severe beating keeps her from knowing who she really is, until after five years in slavery her identity is recovered in a dramatic flash of recognition. To the abolitionists of the period, fictional narratives of white enslaved children offered a crucial possibility: to unsettle the legitimacy of a race-based system of enslavement.

The historical appendices to this Broadview Edition provide context for the novel’s reception, Pike’s racial politics, and the “problem” of white slavery in nineteenth-century abolitionist writing.