Campus eBookstore Logo

Skip Navigation LinksEBook Details

Approaches to Greek Myth

Approaches to Greek Myth
Author: Lowell Edmunds
Price: $32.00
ISBN-10: 1421414201
ISBN-13: 9781421414201
Edition: 2
Get It!:
Delivery: BibliU Reader
Duration: Lifetime

Note:
Copy Selections To Clipboard: User can copy content to the clipboard with the following restriction: Initially allowance of 48 copy selections. Another copy selection allowed every Day. To a maximum of 48 total copy selections.
Printing Pages: User can print pages with the following restriction: Initially allowance of 48 pages. Another page allowed every Day. To a maximum of 48 total pages.

Description

Now thoroughly revised and updated, this volume offers a variety of historical, comparative, and theoretical perspectives on Greek myth.

Since the first edition of Approaches to Greek Myth was published in 1990, interest in Greek mythology has surged. There was no simple agreement on the subject of "myth" in classical antiquity, and there remains none today. Is myth a narrative or a performance? Can myth be separated from its context? What did myths mean to ancient Greeks and what do they mean today?

Here, Lowell Edmunds brings together practitioners of eight of the most important contemporary approaches to the subject. Whether exploring myth from a historical, comparative, or theoretical perspective, each contributor lucidly describes a particular approach, applies it to one or more myths, and reflects on what the approach yields that others do not. Edmunds's new general and chapter-level introductions recontextualize these essays and also touch on recent developments in scholarship in the interpretation of Greek myth.

Contributors are Jordi Pàmias, on the reception of Greek myth through history; H. S. Versnel, on the intersections of myth and ritual; Carolina López-Ruiz, on the near Eastern contexts; Joseph Falaky Nagy, on Indo-European structure in Greek myth; William Hansen, on myth and folklore; Claude Calame, on the application of semiotic theory of narrative; Christiane Sourvinou-Inwood, on reading visual sources such as vase paintings; and Robert A. Segal, on psychoanalytic interpretations.